Create a sequence of 7–9 ultra-cinematic scenes (each ~10 seconds) using ONLY the provided reference image as the identity source. CRITICAL RULE: The subject must remain EXACTLY the same person — same face, proportions, expression DNA, skin tone, and realism. No reinterpretation, no stylization drift, no identity change. GLOBAL STYLE: Photorealistic, cinematic, high-end commercial quality. Natural lighting, realistic textures, no AI look. Color grading: soft contrast, slightly desaturated, filmic tones. Lens behavior must feel real (no distortion errors). STRUCTURE: Each scene must feel like part of the same world, same time, same story — not random shots. --- SCENE FORMAT (repeat for each scene): Scene [1]: - Shot Type: (e.g. wide / medium / close-up / drone / macro) - Camera Angle: (eye-level / low angle / top-down / over-shoulder / tracking) - Lens: (e.g. 24mm cinematic wide / 50mm natural / 85mm portrait / 135mm telephoto) - Camera Movement: (slow dolly / handheld micro-shake / steady tracking / arc shot) - Action: (what the subject is doing — subtle, realistic movement only) - Environment: (same world, different position or perspective — NOT a new location) - Lighting: (consistent time of day, realistic shadows, directional light) - Mood: (keep emotional continuity) --- CINEMATIC RULES: - No random scene jumps — transitions must feel natural - Movement must be slow, controlled, intentional (premium feel) - Avoid exaggerated AI motion or surreal elements - Maintain spatial continuity (same place, different angles/positions) - Depth of field must match lens choice realistically --- NEGATIVE PROMPT: Different face, identity change, cartoon look, over-sharpening, fake skin, extra fingers, distorted anatomy, inconsistent lighting, unrealistic motion, scene teleportation, multiple identities. --- GOAL: A cohesive cinematic sequence that feels like a luxury commercial or film moment — all generated from ONE single image. Across the sequence, vary lenses intentionally: Start wide (24–35mm), move to natural (50mm), end with tight cinematic close-ups (85–135mm).